Ashley Hannah Davis Brings Memphis to Life Through Dance
Dance is Ashley Hannah Davis's love language, and she's using it to tell the story of Memphis. Meet the Director of Show for Tennessee Ballet Theater’s exciting new performance, "901 Stories: Down on Beale." Image: Ziggy Mack
Ashley Hannah Davis began ballet lessons as a toddler and never looked back! As interim director of Tennessee Ballet Theater, she’s channeling her lifelong passion into 901 Stories: Down on Beale, a vibrant new performance that celebrates the soul of Memphis through movement. We spoke with Ashley Hannah about her professional career as a dancer, her transition into leadership, and what we can expect from 901 Stories.
What is your earliest memory of dancing?
I got my start training under Pat Gillespie at Classical Ballet Memphis. My earliest memory is being onstage and poking out from under a table as a mouse in Hansel and Gretel.
You began training at just two years old. How did those early training experiences shape you as a dancer and an artist?
No one would know it now, but I was a very shy child. Dancing really brought me out of my shell and gave me a voice. It also gave me great posture! I always get asked if I dance when I’m out and about.
Can you share a defining moment or favorite role from your nine seasons of professional dancing?
I considered retirement in 2021 and didn’t dance for about a year and a half. So, a really special moment was my first performance with Tennessee Ballet Theater. I danced a tango, choreographed by Tennessee Ballet Theater company member Alyssa Abbas, inspired by the gangster Machine Gun Kelly and his wife, Kathryn Kelly. I got to really ham it up and bring the drama, which was something my soul was missing!
You’ve performed in both classical ballets and contemporary works. Do you feel more at home in one style?
It depends on the day! I love exploring new ways of moving and telling stories through contemporary works, but since it was my first love, ballet will always be my go-to.
What inspired your transition into leadership and choreography?
I’ve always loved choreographing and being in charge of bringing a vision to life, but never thought I’d get the chance to direct a whole production. Artistic Director of Tennessee Ballet Theater, Erin Walter, approached me with the idea, and it was truly her belief in me that got the ball rolling!
What excites you most about guiding a ballet company in Memphis?
I’m excited to translate my experience dancing in companies into leading. I hope to take all the positive experiences I’ve had and create a warm, inviting environment where dancers can flourish. And since most of our dancers are Memphis natives, we are all passionate about our city. I’m excited to see that shine through our work.
How do you nurture dancers who are just starting on their professional journeys?
If I had one piece of advice for the next dancers coming up, it would be: Don’t get too caught up in what’s happening around you right now. I was part of the last batch of kids who grew up without social media. Today’s young dancers can see the surplus of talent that’s out there on an hourly basis. Just focus on you, and being a little better than you were yesterday.
What can audiences expect from 901 Stories: Down on Beale?
You can expect first-rate storytelling from multiple decades, stunning dancing, and a soulful performance from Kortland Whalum. Don’t be surprised if you’re dancing with us by the end!
What Memphis influences shaped this new show?
This show is inspired by the greats who have, at one point or another, walked down Beale Street or performed in the New Daisy Theatre. Carla and Vaneese Thomas, Alex Chilton, and the underrated guitarist Furry Lewis are just a few of the Memphians who influenced the show.
What has been the most rewarding part of bringing this production to life?
I think the most rewarding thing has yet to happen. Part of the proceeds from this production will go toward keeping the Frayser Dance Project running. This program provides free dance classes twice a week to children in the Frayser community. Knowing this show will help keep these kids dancing is the biggest reward!
Is there a moment in the show that you feel especially connected to?
There is a piece in the show, choreographed by Steven Prince-Tate, inspired by the talented sisters, Carla and Vaneese Thomas. My sister, Rachel Davis, and I will be portraying them, and it’s wonderful getting to dance side by side with my little sister!
When you’re not in the studio or directing a performance, what does a perfect Memphis day look like for you?
My perfect day would include waking up and drinking some coffee, taking a long walk, and playing around on the piano. Then I would spend the rest of the day doing “grandma” hobbies — crocheting and reading, mainly. At the moment, I’m making my way through War and Peace.
What’s the best advice you’ve received and from whom?
“If you believe you can’t, you won’t.” My parents have been saying this to me my entire life, and even though it’s tough to put into practice, it’s very true!
LIGHTNING ROUND!
Favorite “hidden gem” in Memphis? Gibson’s Donuts, definitely!
Favorite local small business to support? My favorite place to be in the world is a bookstore, so whenever I can, I pop into novel.
A daily ritual you’d never skip? I always end my day in prayer and gratitude. I’ve found it to be the best stress-reliever!
Your favorite wardrobe staple? While everyone thinks I’m 5’7”, I’m actually only 5’2.” I think that is because I’m always wearing a chunky shoe. My go-to shoes are Fila sneakers.
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Gaye Swan
As a professional writer of over 20 years, Gaye is an avid traveler and enjoys highlighting food, culture, and attractions around the South. While Gaye is passionate about life in Memphis, she grew up in Meridian and is still a Mississippi girl at heart.